Le Port

Inscriptions: Signed (lower left)

Provenance: Léonce Rosenberg, Galerie l’Effort Moderne, Paris (to 1922).

Katharine S. Drier, Collection Société Anonyme (to 1941).

Yale University Art Gallery, New Haven, CT (gifted from above)

Littérature: Waldemar George, Jean Metzinger, L’Esprit Nouveau, no 15, Feb. 1922, pp. 1781-1789, reproduced.

George Heard Hamilton, The Exhibition of the Collection of the Societe Anonyme: The Museum of Modern Art, 1920, Bulletin of the Associates in Fine Arts at Yale University, December 1941, no. 3.

Georges Turpin, Jean Metzinger, Oeuvres Récentes et Anciennes, Paris, Galerie Hessel, 1943.

Collection of the Société Anonyme: Museum of Modern Art 1920, New Haven, CT, Yale University Art Gallery, 1950, 99-100, reproduced.

S. E. Johnson, Metzinger: Pre-Cubist and Cubist Works, 1900–1930, Chicago International Galeries, 1964.

Edward F. Fry, Cubism, New York: McGraw-Hill Book Company, 1966.

John Golding, Cubism: A History and an Analysis, 1907–1914, London: Faber, 1968.

Francoise Forster-Hahn, French and School of Paris Paintings in the Yale University Art Gallery, New Haven, CT: Yale University Press, 1968, 17–18.

Jean Metzinger, Le Cubisme était né, Paris: Editions Presence, 1972.

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné, New Haven, CT, Yale University Press, 1984, 454, no. 461, reproduced.

Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, New Haven, CT, Yale University Art Gallery, 2006, 179, reproduced.